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Performing the Gospel: Orality, Memory, and Mark is unavailable, but you can change that!

Before the written Gospel there was—what? Previous thinking regarding “oral tradition” imagined a one-way process of transmission, handing down the fairly intact textual chunks that would constitute what we know as the end result, the written Gospels. That picture—and the implicit understanding of the Gospel writers as “editors”—has changed. The groundbreaking work gathered in this volume...

Attentiveness to the primarily aural nature of our “written remains” signals to us their close relationship with oral text. Since these written remains were largely dictated, the remains are, in fact, text that began in oral expression and were actualized in performance. To view these so-called written remains wholly as written texts, then, is to miss an important dimension of their function and to misconstrue how they were experienced in the ancient world. These written remains
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